
The Vampires or, The Arch Criminals of Paris
1915

Representation Score
Minimal
1913
NRDirector
Louis Feuillade
Runtime
339 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Louis Feuillade’s silent serial excels in creating genre tension and urban mythology. It effectively questions the infallibility of legal institutions through the intellectual prowess of its anti-hero. However, the work reflects the limited demographic variety of its time, relying on traditional gender roles and a homogeneous, Eurocentric cast. Ultimately, the film’s progressive elements lie in its subversion of social order rather than its representation of diverse individuals.
Category Breakdown
The film does not depict any non-binary or LGBTQ+ identities. It follows the assumption that everyone is straight and cisgender, reflecting the social norms of the Belle Époque.
Female characters mainly act as catalysts for the plot, often appearing as victims or romantic interests. The main conflict revolves around a masculine struggle between crime and law enforcement.
The cast appears predominantly white, reflecting the Eurocentric social norms of early 20th-century Paris. There are no characters from diverse racial or ethnic backgrounds in positions of significant influence.
The story challenges traditional authority by focusing on a criminal who outsmarts the state. It emphasizes individual cleverness and systemic subversion over institutional stability.
The film does not include any characters with visible or invisible disabilities. The story does not address neurodivergence or physical impairments as part of its themes.
Present on Screen
Limited or Absent
Official Synopsis
A French silent film serial which follows the exploits of the archvillain Fantômas, who commits crimes while eluding Inspector Juve's tireless persecution.

1915

1933

1932

1927

1953

1931

1937

1916
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