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Dju!

Name: Dju!
Director: Daniel Lambo
Released: 2002
Duration: 8 min

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Representation Score

7.2/10

Good

2002

Director

Daniel Lambo

Runtime

8 minutes

Average Rating

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New Showbiz Analysis

Dju! operates as a supernatural tragicomedy driven by a cyclical plot involving a cursed object. The film delves into themes of divine retribution and the instability of ownership through a series of tragicomic events. While the narrative structure hints at an interest in moral relativism and the fringes of society, it lacks specific demographic details. The focus remains on the movement of the bed and the consequences of blasphemy rather than character-driven identity politics. Ultimately, the film offers a unique structural approach to storytelling, but its lack of verifiable information about cast identity hinders a deeper assessment of diverse representation.

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Category Breakdown

Does Dju! have LGBTQ+ representation?

Fair

The film does not provide any information about sexual orientation or gender identity. There are no characters with non-straight or non-cisgender identities.

How does Dju! portray gender?

Fair

The main characters are described as furniture makers, but their genders are not specified. The film does not explore gender-based power dynamics or subversions.

How racially and ethnically diverse is Dju!?

Fair

The story revolves around a cursed object and the concept of blasphemy. It does not provide any details about the racial or ethnic makeup of the cast.

How does Dju! represent religion and culture?

Good

The story centers on a cursed bed that enforces a mysterious divine code. It explores ethical dilemmas and the fringes of society through a tragicomic lens.

Does Dju! include disability representation?

Fair

There is no mention of characters with physical, sensory, or neurodivergent traits. The narrative does not address disability.

Present on Screen

The narrative explores unconventional moral frameworks and divine retribution.
The setting highlights the fringes of society, moving through dark alleys and trash.

Limited or Absent

The film lacks explicit representation of diverse sexual orientations or gender identities.
There is no visible information regarding racial, ethnic, or disability-based diversity.

Official Synopsis

Two furniture makers find a bed between the trash in a dark alley. This is the starting point of a series of tragicomic events. The bed that guides the story, is in fact cursed. it’s up to the viewer to find out that he task of the bed is to protect Gods honour. Every blasphemer who comes too close to the bed, will be killed. The bed shifts from one owner to the other and finally ends up back in the store of the furniture makers.

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