The Amityville Horror
1979
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Diversity score: 1.9 out of 10
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The Amityville Murders
2018
Not RatedDirector
Daniel Farrands
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
On the night of November 13th, 1974, Ronald DeFeo Jr. took a high powered rifle and murdered his entire family as they slept. At his trial, DeFeo claimed that 'voices' in the house commanded him to kill. This is their story.
Where to Watch
Diversity & Representation
Overall Score
1.6/10
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or non-cisnormative identities. It adheres to a heteronormative framework centered on the DeFeo family tragedy.
Gender Representation
The narrative focuses on a traditional 1970s patriarchal family structure. Women in the film function within established social roles without demonstrating agency that disrupts hierarchies.
Racial & Ethnic Diversity
The cast reflects a homogeneous demographic consistent with the 1974 historical setting. There is no evidence of diverse casting or race-bent roles.
Religious & Cultural Diversity
The story focuses on individual madness rather than a critique of systemic institutions. It follows traditional cautionary tales rather than deconstructing Western social structures.
Disability Representation
Mental instability and the protagonist's auditory hallucinations serve as horror plot devices. The film lacks a nuanced portrayal of neurodivergence or mental health agency.
Strengths
- The film maintains historical fidelity to the 1974 DeFeo family murders.
Areas for Improvement
- The film lacks intersectional complexity or diverse character identities.
- Mental health is used as a horror device rather than a nuanced portrayal of neurodivergence.
- The narrative adheres to traditional patriarchal and heteronormative structures.
AI Analysis
The Amityville Murders operates as a conventional true-crime horror film that prioritizes historical accuracy and psychological terror over social subversion. The narrative is built around the domestic tragedy of the DeFeo family, which naturally limits the scope for intersectional complexity. Because the film centers on a specific 1974 event, it remains tethered to the homogeneous demographics and patriarchal structures of that era. It utilizes psychological distress primarily as a tool for genre tension rather than exploring meaningful disability representation. Ultimately, the production lacks the intentionality required to challenge social hierarchies, opting instead to work within established genre tropes.
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