You are here:

A Month in Thailand

Name: A Month in Thailand
Director: Paul Negoescu
Released: 2012
Duration: 84 min

Representation Score

3.3/10

Limited

2012

Director

Paul Negoescu

Runtime

84 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Paul Negoescu’s film is a naturalistic character study that excels in psychological realism. By focusing on Radu’s insecurities and emotional instability, the film avoids the cliché of the traditionally competent male lead. This provides a nuanced look at modern intimacy and vulnerability. However, the film remains confined within a very traditional demographic framework. The lack of diverse casting or perspectives limits its social breadth. The narrative focuses heavily on a specific, homogeneous urban Romanian experience. Ultimately, while the film succeeds in challenging certain gendered archetypes, it lacks the structural diversity or systemic critique necessary to broaden its scope.

Watch this, not that →

Category Breakdown

Does A Month in Thailand have LGBTQ+ representation?

Limited

The story focuses on a heterosexual relationship between Adina and Radu. There are no representations of LGBTQ+ identities or critiques of the assumption that everyone is straight or cisgender.

How does A Month in Thailand portray gender?

Fair

The film challenges traditional masculine stereotypes by emphasizing Radu's emotional instability and passivity. Adina demonstrates a strong role in driving the story through her pursuit of a stable relationship.

How racially and ethnically diverse is A Month in Thailand?

Limited

The film portrays a localized view of Bucharest life. The setting and cast suggest a homogeneous social environment without significant racial or ethnic diversity.

How does A Month in Thailand represent religion and culture?

Fair

The narrative explores the tension of social rituals, such as holiday visits to parents, offering a cynical perspective on social obligations.

Does A Month in Thailand include disability representation?

Minimal

There are no visible or mentioned depictions of physical or neurodivergent disabilities in the film.

Present on Screen

Challenges traditional masculine stereotypes by highlighting the protagonist's emotional instability and passivity.
Offers a realistic, unidealized look at the complexities of modern romantic commitment and social rituals.

Limited or Absent

Lacks racial and ethnic diversity, focusing instead on a homogeneous social environment.
Does not include non-assuming gender matches what was assigned at birth identities or narratives that challenge straight-centered structures.

Official Synopsis

In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.

How are these scores produced? →