The narrative is strictly heteronormative, focusing on a protective bond between a male protagonist and a young female ward. There are no depictions of same-sex intimacy or non-cisnormative characters, resulting in a complete lack of inclusion in this category.

The film reinforces traditional hierarchies with a stoic male protector and female characters in supportive or victimized roles. Naomi Ackie’s character serves as a catalyst for male action rather than driving the plot through her own intellect or strength.

Visible diversity is present through casting, including Naomi Ackie, placing a Black character in a historically underrepresented Scottish setting. However, the narrative does not deeply explore the intersection of race and identity, keeping diversity as visual composition rather than thematic core.

The story upholds traditional Western institutions, validating state authority and a binary moral code of good versus evil. It promotes loyalty and duty without critiquing Western institutions as oppressive, aligning with conservative ideals of patriotism and service.

The film features no characters with visible or invisible disabilities, neurodivergence, or chronic illness as central figures. The narrative relies entirely on the physical prowess of the able-bodied protagonist, offering no engagement with the experiences of disabled individuals.