You are here:

Afterimages

Name: Afterimages
Director: Tony Kern
Released: 2014
Duration: 92 min

Representation Score

2.4/10

Limited

2014

Director

Tony Kern

Runtime

92 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Afterimages stands out by incorporating Singaporean spiritual traditions and the Ghost Month ritual as central plot elements. This approach moves away from Western-centric horror clichés by embracing Southeast Asian folklore. However, the film lacks depth in other social dimensions. It does not provide information about gender distribution, LGBTQ+ identities, or the representation of disabilities within the student group. Consequently, while the film successfully presents a non-Western cultural framework, its impact on broader social hierarchies remains unverified due to the absence of diverse character identities.

Watch this, not that →

Category Breakdown

Does Afterimages have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or non-cisgender identities. It does not address issues related to the assumption that everyone is straight or cisgender either.

How does Afterimages portray gender?

Minimal

The story involves a group of film students but does not specify their gender distribution. There are no gendered power dynamics or subversions present in the narrative.

How racially and ethnically diverse is Afterimages?

Good

The setting in Singapore offers meaningful representation. By engaging with Southeast Asian folklore, the film challenges the dominance of Western horror clichés.

How does Afterimages represent religion and culture?

Good

The narrative focuses on the Ghost Month and local spiritual rituals, emphasizing regional belief systems rather than traditional Western secular views.

Does Afterimages include disability representation?

Minimal

There is no evidence of characters with physical, sensory, or neurodivergent disabilities in the film.

Present on Screen

Strong engagement with Southeast Asian spiritual traditions and local folklore.
Effective disruption of Western-centric horror archetypes through its Singaporean setting.

Limited or Absent

Lack of visible representation for LGBTQ+ identities or non-cisgender characters.
Absence of information regarding gender dynamics or diverse character identities.
No evidence of characters with physical, sensory, or neurodivergent disabilities.

Official Synopsis

A group of film students burn paper effigy cameras for the wandering spirits during the ghost month in Singapore and receive a collection of horror movies in return.

How are these scores produced? →