
Promising the Moon
2011
No Poster Available
Representation Score
Fair
2004
Director
Nicole van Kilsdonk
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Making Waves is an intimate, character-driven drama that prioritizes the psychological realism of its female protagonists. By centering the emotional lives of Cella and Johanna, the film successfully disrupts traditional patriarchal storytelling structures. However, the film lacks multi-layered breadth. The narrative is confined to a localized, homogeneous Dutch setting, offering little representation of diverse racial or ethnic backgrounds. This narrow focus limits the film's demographic variety. While the film excels at exploring complex gendered interpersonal dynamics and the deconstruction of family secrets, the absence of LGBTQ+ visibility and ethnic diversity results in a modest overall score.
Category Breakdown
The film focuses on a heterosexual divorcee and her relationship with her mother. There is no explicit depiction of queer identities or dynamics outside of traditional heterosexual relationships.
The film centers on women's autonomy and complex intergenerational relationships. It avoids the nurturing matriarch stereotype, presenting women as independent, flawed, and intellectually driven individuals.
Set within a specific Dutch context, the story appears to focus on a homogeneous social environment. There is no evidence of a multi-ethnic cast.
The film explores the breakdown of the perfect family unit through personal grief. It values uncovering hidden truths over traditional social appearances.
Johanna's tendency to mix up past and present may suggest cognitive decline. However, it is unclear if this is portrayed with real impact or merely as a plot device.
Present on Screen
Limited or Absent
Official Synopsis
Making Waves is the story of Cella (Jacqueline Blom) and her 71-year-old mother Johanna (Kitty Courbois). Life smiles upon Cella. Happily divorced, having two children and a successful job as a presenter at a local station, for which she interviews people every morning who take the ferry across the IJ river. In her enthusiasm, Cella resembles her mother, once a celebrated violinist, but the similarity also causes friction between the two women. Just when Cella meets a new love, her father's sudden death puts her life on a different track. Johanna increasingly muddles past and present and brings back fragments of memories that point to a painful secret she carries on her back. Cella tries to dig up the truth.

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