The film adheres strictly to the heteronormative social structures of 19th-century France. There is no evidence of non-cisnormative gender identities or same-sex intimacy.

The narrative explores women navigating a rigid patriarchal framework where social capital is their primary currency. While characters show agency, the film reinforces traditional gendered power dynamics.

Casting reflects the historical demographic constraints of 19th-century Paris. The story focuses on the white, Eurocentric social strata of the French bourgeoisie and working class.

The film offers a sophisticated critique of capitalist values and the erosion of empathy. It deconstructs the traditional family unit, portraying it as a site of exploitation.

There is no significant focus on neurodivergence, physical disability, or mental health. Character struggles are primarily socioeconomic and moral rather than centered on disability agency.