
Killing Joan
2018

Representation Score
Limited
2019
Director
Brian Skiba
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Chokehold primarily functions as a gender-disrupting action drama. Its core strength lies in granting a female protagonist the ability to dominate a traditionally masculine, violent subculture. While the film successfully challenges conventional gender roles through its central character's journey, it lacks explicit evidence of multi-layered complexity. There is little information regarding race or LGBTQ+ identities. The narrative relies on a revenge-driven framework, using the underground MMA world to explore themes of personal justice and moral relativism.
Category Breakdown
The film centers on a revenge plot involving the Russian Mob and MMA. There are no queer narratives or representations of non-cisgender identities present.
The narrative subverts traditional gender roles by focusing on a female protagonist in a combat-heavy environment. She replaces the 'damsel in distress' cliché with high levels of physical involvement.
The presence of the Russian Mob introduces elements of international and ethnic conflict. However, it remains unclear if this extends to a diverse ensemble beyond these syndicate elements.
The story explores personal justice over institutional morality within a gritty crime setting. The underground world serves as a critique of formal societal and legal structures.
There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
Story of a woman who seeks revenge on the Russian Mob for the death of her father. She battles her way up in the underground mixed martial arts fighting world to find those responsible and avenge his death.

2018

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