The film lacks explicit non-cisnormative identities. The plot centers on traditional marital infidelity rather than exploring or critiquing heteronormative structures.

While women are central, they are portrayed through the 'monstrous feminine' trope. Their agency is driven by biological affliction rather than social or intellectual empowerment.

The narrative focuses on a homogeneous social unit. There is no evidence of non-white casting or the use of diverse ethnic metaphors.

The film offers a cynical view of the nuclear family and marriage. However, this serves genre shock value rather than a critique of systemic institutions.

No characters with visible or invisible disabilities are portrayed with agency. The central disease functions as a horror device rather than a nuanced exploration of disability.