The film follows the traditional heteronormative structures of Shakespeare's tragedy. It lacks non-cisnormative gender identities or queer-coded subtext.

Female characters like Ophelia and Gertrude are central to the plot. However, their agency remains largely dictated by the male protagonists' actions.

The casting is homogeneous, reflecting the demographic norms of early 20th-century Italy. There is no evidence of ethnic diversity or race-bent casting.

This production serves as a preservation of Western literary tradition. It operates within the established cultural hegemony of its era without deconstructing Western institutions.

The narrative focuses on psychological turmoil rather than specific disability identities. There is no documented portrayal of physical or neurodivergent disabilities.