
Danur: I Can See Ghosts
2017

2026
Director
Awi Suryadi
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
After years of separation from her ghost friends, Risa goes on with her life, closing the door to any communication with any ghosts. However, things change when her sister, Riri, is proposed. In an old theater and begins acting strangely in the time leading to her wedding. Not only does Riri change, but Risa also begins experiencing a series of strange events, as if she’s experiencing a painful death repeatedly. Risa suspects that this was happening because her ghost friends, Peter and his friends, were trying to convey something.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The plot focuses on heteronormative milestones, specifically Riri's upcoming wedding. There is no evidence of queer subtext or non-cisnormative identities.
Gender Representation
The film features a female-centric structure where Risa and Riri drive the emotional stakes. However, it lacks a systemic subversion of gender hierarchies.
Racial & Ethnic Diversity
As an Indonesian production, the film centers on non-Western perspectives. The inclusion of Dutch colonialism adds historical depth to the ethnic narrative.
Religious & Cultural Diversity
The story utilizes traditional settings like churches and theaters. It leans toward established cultural archetypes and traditional life milestones.
Disability Representation
There is no mention of characters navigating physical, neurodivergent, or mental health disabilities within the available information.
Strengths
Areas for Improvement
AI Analysis
Danur: The Last Chapter is a character-driven supernatural mystery that centers on female agency and regional identity. The narrative relies heavily on the bond between sisters to drive the plot forward. While the film excels in providing a non-Western perspective through its Indonesian roots and colonial themes, it remains tethered to traditional genre structures. The focus on conventional social milestones like weddings limits its progressive reach. Ultimately, the film offers a strong local cultural framework but lacks diversity in terms of LGBTQ+ representation and disability visibility.

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