
A Man For Every Month
2017

2008
NRDirector
Bradford May
Average Rating
No ratings yetSynopsis
They say the cobbler's children go barefoot, but must the matchmaker's children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don't know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story focuses exclusively on heterosexual romance. There is no evidence of non-cisnormative identities or any critique of heteronormativity.
Gender Representation
Female characters drive the plot by creating a dating application. However, their agency is used to restore a traditional patriarchal family structure.
Racial & Ethnic Diversity
The film appears to follow standard demographic norms for its genre. There is no indication of a diverse or multicultural cast.
Religious & Cultural Diversity
The narrative emphasizes the restoration of the nuclear family. It reinforces traditional Western family values and social stability through its central conflict.
Disability Representation
The film contains no evidence of characters with physical, sensory, or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
A Kiss at Midnight operates within a highly conventional framework, prioritizing the reconstruction of the nuclear family. The plot relies on traditional romantic tropes and lacks intersectional complexity. While female characters exercise agency, their goals align with established social norms rather than subverting them. The film functions as a sentimental, mainstream romance that reinforces existing familial structures. Ultimately, the production lacks the systemic critique or diverse casting necessary to move beyond a standard, homogeneous small-town narrative.

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