The film lacks explicit LGBTQ+ characters or non-cisnormative identities. Romantic arcs focus entirely on heteronormative pairings without documented queer subtext.

Sonia drives the plot with significant agency and intellect. The film uses witty innuendo to portray female desire and autonomy, challenging restrictive 1930s femininity.

The setting remains a homogeneous European aristocracy. There is no evidence of racial diversity or non-Anglo-Saxon characters within this fictionalized kingdom.

The story uses light political satire regarding a nation's financial instability. However, it avoids formal critiques of religion, capitalism, or Western institutions.

No visible or invisible disabilities are depicted. Characters exist within a high-functioning aristocratic context where disability is not a narrative element.