
Don't Follow Me
2025

2020
RDirector
Antoine Le
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
Social media influencer, 'DropTheMike', seeks thrills and stardom in the most horrific places. When he’s offered the possibility of a lucrative sponsorship, he takes his online channel to one of the most haunted hotels in America. What begins as a fun challenge accompanied by friends descends into a personal hell, begging the timely question: how far would you go to pursue internet fame?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The narrative focuses on supernatural mechanics and the pursuit of fame. There is no explicit evidence of queer romantic arcs or non-cisnormative identities within the primary plot.
Gender Representation
The story centers on a male influencer, with female characters like Meghan Kim serving primarily as plot catalysts or victims. The film does not significantly subvert traditional gender hierarchies.
Racial & Ethnic Diversity
Moderate inclusion is present through the mention of a Korean tourist. The digital landscape of vlogs and comments provides a platform for a multi-ethnic online presence.
Religious & Cultural Diversity
The film excels in critiquing the attention economy and the hollow pursuit of digital capital. It frames the quest for fame as a systemic trap within modern social structures.
Disability Representation
There is no significant depiction of neurodivergence or physical disability. Erratic behavior is used as a supernatural plot device rather than a nuanced portrayal of mental health.
Strengths
Areas for Improvement
AI Analysis
Followed functions primarily as a genre-driven critique of digital-age anxieties rather than a study of identity politics. It deconstructs the influencer archetype, portraying the drive for online validation as a corrosive, systemic force. While the film lacks deep intersectional character development regarding gender or sexual orientation, it offers a sophisticated look at contemporary Western institutions. The narrative challenges the morality of late-stage capitalism through the protagonist's descent into a personal hell. Ultimately, the film's diversity is found in its cultural commentary on the attention economy. It uses the screenlife format to explore the pressures of modern media, even if individual character identities remain largely incidental to the horror.

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