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The Story of the Animated Drawing

Name: The Story of the Animated Drawing
Director: William Beaudine, Wilfred Jackson
Released: 1955
Duration: 49 min

Representation Score

0.5/10

Minimal

1955

Director

William Beaudine, Wilfred Jackson

Runtime

49 minutes

Average Rating

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New Showbiz Analysis

This documentary serves as a historical retrospective, emphasizing the technical lineage of animation while overlooking social complexities. By focusing on the 'great men' of the industry, it presents a narrow, patriarchal view of progress. The film's scope is confined to Western technological advancements, resulting in a highly homogeneous portrayal of the medium's evolution. It fails to engage with non-Western traditions or diverse cultural perspectives. Ultimately, the work upholds a mid-century artifact validating a specific, traditional trajectory of artistic development, leaving behind underrepresented voices and multi-layered identities.

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Category Breakdown

Does The Story of the Animated Drawing have LGBTQ+ representation?

Minimal

The film does not depict any LGBTQ+ identities. Its focus on animation history excludes any discussion of sexual orientation or gender identity.

How does The Story of the Animated Drawing portray gender?

Limited

The story centers on male inventors and creators, with female contributions to the technical and artistic evolution of animation being noticeably absent.

How racially and ethnically diverse is The Story of the Animated Drawing?

Minimal

The film presents a uniform, Anglo-centric view of animation history, lacking engagement with non-Western traditions or diverse racial perspectives in the craft's development.

How does The Story of the Animated Drawing represent religion and culture?

Limited

The documentary highlights Western industrial achievements and technological mastery, reinforcing a mid-century status quo by presenting a linear history of American-led innovation.

Does The Story of the Animated Drawing include disability representation?

Minimal

There are no depictions of individuals with physical or neurodivergent disabilities. The content focuses solely on the animation process and historical figures.

Present on Screen

Offers a clear historical lineage of animation from early pioneers to character-driven milestones.

Limited or Absent

The narrative lacks female contributors and diverse racial perspectives in the history of the medium.
The film does not include any representation of LGBTQ+ identities or individuals with disabilities.
The perspective is heavily Anglo-centric, ignoring non-Western animation traditions.

Official Synopsis

Walt Disney discusses the history of animation, beginning with J. Stuart Blackton and his Humorous Phases of Funny Faces in 1906, and including Gertie the Dinosaur.

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