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The Three Faces

Name: The Three Faces
Director: Franco Indovina, Michelangelo Antonioni, Mauro Bolognini
Released: 1965
Duration: 115 min

Representation Score

4.7/10

Fair

1965

Director

Franco Indovina, Michelangelo Antonioni, Mauro Bolognini

Runtime

115 minutes

Average Rating

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New Showbiz Analysis

This anthology film serves as a modernist study of human interaction rather than a cohesive narrative of identity. It succeeds in challenging traditional gender stereotypes and questioning rigid social morality through its diverse directorial perspectives. However, the film is limited by its mid-century Eurocentric focus. It lacks racial diversity and explicit LGBTQ+ representation, remaining confined to the social structures of the 1960s Italian bourgeoisie. Ultimately, the work is a sophisticated deconstruction of social norms, even if it lacks the breadth of modern characters who reflect more than one aspect of diversity.

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Category Breakdown

Does The Three Faces have LGBTQ+ representation?

Fair

The film adheres to the cinematic standards of the mid-1960s. It explores unconventional interpersonal dynamics and the breakdown of traditional romance, but does not include explicit queer narratives or non-cisgender identities.

How does The Three Faces portray gender?

Fair

The film dismantles the stable masculine lead by showing men with emotional instability. Women are shown with significant psychological ability to act, navigating complex social landscapes that emphasize their internal emotional realities.

How racially and ethnically diverse is The Three Faces?

Limited

Reflecting mid-1960s Italian cinema traditions, the film centers on a homogeneous Mediterranean social structure. The casting lacks visible diversity, focusing instead on the nuances of the Italian bourgeoisie.

How does The Three Faces represent religion and culture?

Good

The film prioritizes existential inquiry and human impulses over religious frameworks. Traditional social institutions, such as marriage and etiquette, are viewed with skepticism or irony.

Does The Three Faces include disability representation?

Minimal

There is no evidence of characters using visible or invisible disabilities as central narrative drivers or plot devices within the film.

Present on Screen

Subverts traditional patriarchal archetypes by presenting emotionally unstable or intellectually preoccupied male characters.
Provides women with significant psychological ability to act and complex internal emotional realities.
Challenges traditional social institutions and religious frameworks through existential inquiry and irony.

Limited or Absent

Lacks visible racial and ethnic diversity, focusing almost exclusively on a homogeneous Mediterranean cast.
Provides no explicit representation of LGBTQ+ identities or non-cisgender narratives.
Does not feature characters whose lives are shaped by visible or invisible disabilities.

Official Synopsis

Italian comedy film made of three segments directed by Michelangelo Antonioni, Mauro Bolognini and Franco Indovina. First segment: Il Provino; second segment: Gli amanti celebri; third segment: Latin Lover.

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