
Triple Crossed
1959

Representation Score
Minimal
1952
NRDirector
Jules White
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This Three Stooges short exemplifies mid-century slapstick comedy, emphasizing physical comedy over narrative complexity. The film relies heavily on the era’s formulaic clichés, centering around male-driven deception and retribution. The work lacks meaningful representation of underrepresented groups. It adheres to the rigid social norms of 1952, depicting a world dominated by heterosexual rivalries and traditional family structures. Ultimately, the film serves as a typical comedic diversion, offering limited character development and minimal diversity.
Category Breakdown
The film focuses on heterosexual relationships and does not include any LGBTQ+ characters or non-binary identities.
Female characters serve mainly as objects of pursuit or catalysts for male conflict. They have little influence over the plot and are treated as prizes within a male-dominated storyline.
The film reflects the homogeneous society of the 1950s, adhering to the traditional casting norms of the time, which did not include diverse racial or ethnic representation.
The story upholds traditional views on marriage and domestic life through slapstick humor and conventional moral lessons.
There are no characters with visible or invisible disabilities featured in the film.
Present on Screen
Limited or Absent
Official Synopsis
Larry is a pet dealer who's seeing Moe's wife while at the same time trying to steal Shemp's fiancée. When Moe becomes suspicious, Larry attempts to frame Shemp as the boyfriend. He gets Shemp a job as a door-to-door pajama salesman and sends him to Moe's apartment, and then tells both Moe and Shemp's fiancée to go there and catch him in the act. Larry's plan backfires when Shemp catches him and lets Moe deliver some punishment.

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