
Rölli – hirmuisia kertomuksia
1991

Representation Score
Minimal
1982
Director
Liisa Helminen, Päivi Hartzell
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film's strength lies in its thematic depth and its subversion of gender roles. By centering the princess as the driver of societal evolution, it moves beyond standard fairytale archetypes to offer a critique of emotional repression. However, the production lacks breadth in its representation of identity. The narrative is confined to a traditional family structure and a localized European setting, leaving little room for diverse racial or LGBTQ+ perspectives. Ultimately, while the film offers a sophisticated metaphorical exploration of humanism versus logic, its narrow demographic scope limits its overall diversity impact.
Category Breakdown
The film focuses on a traditional nuclear family consisting of a king, his wife, and their daughter. There are no visible LGBTQ+ characters or narratives present.
The princess serves as the main character who challenges the patriarchal order by driving the story forward. She actively changes the status quo rather than being passive.
Set within a traditional Finnish fairytale context, the story lacks any indication of racial blending or a non-Anglo-Saxon majority cast.
The narrative critiques rigid, systemic rationalism by portraying an 'effective' society as sterile. It explores the tension between institutional stability and the necessity of human emotion.
The provided material contains no information regarding the depiction of physical, sensory, or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.

1991

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