
Wicked Girl
2017

Representation Score
Good
2022
Director
Amandine Meyer
Runtime
6 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Amandine Meyer’s animation explores identity through a non-linear, psychological lens. By using dream-like logic and metamorphosis, the film disrupts conventional biographical storytelling and traditional social milestones. The work excels at highlighting female control over her environment and subverting rigid identity markers. However, the film's abstract nature limits its broad appeal. The lack of clear information about racial or ethnic representation and specific disability depictions hinders a more comprehensive diversity assessment.
Category Breakdown
The film challenges traditional identity markers through a protagonist who constantly changes. Though there are no explicit romantic pairings, the blending of human and animal boundaries suggests a departure from the assumption that everyone is straight or cisgender.
The story focuses entirely on a woman's journey towards self-realization. By emphasizing her internal, surreal world, the film avoids typical patriarchal clichés and highlights her control over her environment.
Due to the abstract and animated nature of the film, there is insufficient evidence to determine the racial or ethnic makeup of the characters. Therefore, a meaningful score cannot be provided based on the available information.
The narrative prioritizes personal, internal truths over institutional realities or traditional family structures. It replaces standard life cycles with a chaotic, symbolic journey of individualistic development.
The surreal imagery involving intense physical sensations and overwhelming sensory experiences touches on themes of bodily autonomy. However, there is no specific depiction of neurodivergent or physical disabilities.
Present on Screen
Limited or Absent
Official Synopsis
It begins with an argument. A river of tears bursts its banks and washes the heroine away into a surreal world where symbols, references and personal experiences dance together. A baby learns to play the flute from a goose before becoming a girl and using the flute to drink up the river and swallow her teacher, the goose. A bone remains with which she draws herself a belly that gives birth to little creatures that suckle, swim, scream and explode and do all the other things that new-born babies do. In a pastel-coloured frenzy, the filmmaker traces the development from being an infant to an adult woman and artist.

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