The film operates within a traditional heteronormative framework. It lacks prominent LGBTQ+ characters or storylines centered on non-cisnormative identities.

The narrative is driven by male agency and a male-centric investigative arc. While female characters like Baroness Helga provide gothic tension, they often function within standard horror tropes.

Set in the 1930s Swiss Alps, the cast is predominantly white and European-centric. The film does not integrate diverse ethnic perspectives into its central plot.

The story offers a sharp critique of Western medical and scientific establishments. It portrays the pursuit of wellness as a predatory tool for institutional and corporate control.

Themes of physical and mental vulnerability are used primarily as horror devices. These elements heighten tension rather than providing characters with nuanced or meaningful agency.