The use of anthropomorphic, non-human entities disrupts traditional heteronormative frameworks. While specific romantic pairings are not explicitly centered, the fluid nature of the creatures allows for a departure from rigid social roles.

Characters are defined by their allegiances to the Sun and Moon kingdoms rather than biological gender. The protagonists drive the mission through survival and agency rather than traditional masculine or feminine archetypes.

By utilizing non-human species as metaphors, the film avoids Anglo-centric casting and whitewashing. The conflict between kingdoms serves as an allegory for navigating systemic divisions and the concept of 'otherness.'

The film prioritizes a nature-based worldview over Western institutional values. It favors a mythic morality and environmental interconnectedness, challenging traditional notions of sovereignty and power through its decentralized setting.

There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities. However, the surrealist animation style may offer a non-normative depiction of sensory experience and movement.