The film follows a strictly heteronormative structure. It centers entirely on the romantic bond between the male and female protagonists without any queer subtext.

Catherine Barkley is defined largely through caregiving and her emotional response to the male lead. The film reinforces traditional hierarchies and lacks female narrative agency.

Casting is overwhelmingly homogeneous and Eurocentric. There is a notable absence of characters of color in prominent or high-agency roles within the wartime setting.

The story critiques the senselessness of war through a lens of fatalism and romantic tragedy. It avoids religious dogmatism in favor of a secular, nihilistic worldview.

Physical and mental health elements appear only as incidental consequences of war. Characters with impairments serve as plot devices rather than subjects with lived agency.