You are here:

Thanks, Smokey!

Name: Thanks, Smokey!
Director: Patrick Scott
Released: 2011
Duration: 3 min

Representation Score

2.2/10

Limited

2011

Director

Patrick Scott

Runtime

3 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Thanks, Smokey! is a transgressive comedic short that prioritizes moral provocation over identity-driven storytelling. It uses unconventional visual comparisons to elicit empathy for controversial subjects, providing a moderate level of cultural engagement. However, the film lacks the character-driven frameworks necessary for high scores in specific identity categories. While the cast is multi-ethnic, the narrative focus remains on challenging ethical boundaries rather than exploring diverse lived experiences. Ultimately, the work serves as a specialized piece of social commentary that lacks depth in representation for LGBTQ+ individuals or people with disabilities.

Watch this, not that →

Category Breakdown

Does Thanks, Smokey! have LGBTQ+ representation?

Minimal

The film does not include any characters or stories that address LGBTQ+ identities or non-cisgender identities.

How does Thanks, Smokey! portray gender?

Limited

The film features several female performers, but the narrative does not provide any evidence of nuanced gendered ability to act or challenge traditional gender hierarchies.

How racially and ethnically diverse is Thanks, Smokey!?

Fair

The cast includes performers of various ethnic backgrounds, such as Diane Le and David Tran. However, it is unclear if these roles offer meaningful multi-layered depth or just incidental representation.

How does Thanks, Smokey! represent religion and culture?

Good

The film challenges social taboos and moral relativism by using provocative stimuli to disrupt standard institutional norms through a lens of subjective morality.

Does Thanks, Smokey! include disability representation?

Minimal

The film does not include any characters with physical, neurodivergent, or mental health conditions. There is no exploration of disability.

Present on Screen

The film demonstrates a willingness to engage with moral relativism and unconventional empathy.
The cast includes a degree of multi-ethnic inclusion through performers like Diane Le and David Tran.

Limited or Absent

The film lacks meaningful representation for LGBTQ+ identities and neurodivergent or disabled characters.
There is no evidence of nuanced gendered ability to act or the subversion of traditional gender hierarchies.

Official Synopsis

Condoning bestiallity by using comparable visual stimuli for the desired effect of empathy. So it would seem.

How are these scores produced? →