
All Women Are Bad
1969

Representation Score
Minimal
1967
Director
Barry Mahon
Runtime
61 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Good Time with a Bad Girl operates within the commercial clichés of late 1960s exploitation cinema. The film reinforces conventional social hierarchies and traditional gendered binaries rather than challenging them. The narrative lacks complexity, focusing instead on a narrow, heterosexual melodrama. The character archetypes suggest a homogeneous demographic centered on mid-century social norms. Ultimately, the film serves as a period-specific commercial product that prioritizes standard clichés over diverse representation or systemic critique.
Category Breakdown
The film focuses on heterosexual and cisgender romantic relationships. It centers on an affair between a wealthy man and a woman, without exploring any non-binary identities.
The story relies on traditional gender roles. It portrays female sexuality through clichés such as the 'wayward woman,' contrasting a stable wife with a 'bad girl' to reinforce domestic binaries.
The narrative likely centers on a homogeneous demographic. There is no evidence of diverse casting or diverse character's ability to drive the story within the provided character types.
The premise focuses on individualistic, capitalist pursuits in Las Vegas. It functions as a typical mid-century melodrama without critiquing Western institutions or values.
There is no information regarding the inclusion of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A millionaire goes to Las Vegas and has an affair with a sex-addicted girl, while his wife is back at home.

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1960
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