
Iraq for Sale: The War Profiteers
2006

2013
Director
Robert Greenwald
Runtime
53 minutes
Average Rating
No ratings yetSynopsis
War on Whistleblowers: Free Press and the National Security State highlights four cases where whistleblowers noticed government wrong-doing and took to the media to expose the fraud and abuse. It exposes the surprisingly worsening and threatening reality for whistleblowers and the press. The film includes interviews with whistleblowers Michael DeKort, Thomas Drake, Franz Gayl and Thomas Tamm and award-winning journalists like David Carr, Lucy Dalglish, Glenn Greenwald, Seymour Hersh, Michael Isikoff, Bill Keller, Eric Lipton, Jane Mayer, Dana Priest, Tom Vanden Brook and Sharon Weinberger.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on legal and national security frameworks. It lacks any discernible focus on non-cisnormative identities or critiques of heteronormativity.
Gender Representation
The narrative centers on male-dominated institutional roles within legal and political discourse. However, the inclusion of female journalists provides a balanced professional landscape.
Racial & Ethnic Diversity
The cast reflects the demographic realities of American legal and journalistic circles. While diverse, the subject matter remains centered on Western institutional structures.
Religious & Cultural Diversity
The film challenges the perceived infallibility of the state by prioritizing systemic accountability. It frames whistleblowing as essential for democratic transparency and institutional critique.
Disability Representation
There are no specific depictions of visible or invisible disabilities. These themes do not serve as central narrative drivers in the documentary.
Strengths
Areas for Improvement
AI Analysis
The documentary prioritizes a systemic critique of the American national security apparatus over identity-based representation. It succeeds in challenging traditional hierarchies of state power and secrecy, which elevates its cultural score. However, the film's focus on high-level legal and journalistic circles results in a demographic profile that mirrors existing institutional structures. This limits its impact regarding racial and gender diversity. Ultimately, the work is a specialized inquiry into transparency and state authority rather than a study of diverse social identities.

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