The story centers on heteronormative romantic entanglements, particularly Shiva's toxic relationship. There is little evidence of non-cisnormative identities or explicit critiques of heteronormativity.

The film prioritizes female agency by centering the narrative on May and Shiva. It disrupts patriarchal tropes by making female emotional and intellectual labor the primary driver of the plot.

The narrative appears to focus on a relatively homogeneous urban social stratum. There is no significant evidence of intersectional casting or the use of racialized metaphors to drive the story.

The film critiques highly structured, disciplined lifestyles through May's yoga-centric existence. It juxtaposes curated middle-class stability against the chaotic, marginalized reality of Shiva's world.

There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities within the film.