You are here:

The Evangelist

Name: The Evangelist
Director: Joseph Pepitone
Released: 2016
Duration: 77 min

Representation Score

3.2/10

Limited

2016

Director

Joseph Pepitone

Runtime

77 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Evangelist serves as a sociological study of a specific religious subgroup. Its main strength lies in its ethnographic authenticity, providing depth and ability to act to Black religious life that is often missing from mainstream media. However, the film adheres to the existing hierarchies it documents. By presenting established religious norms without challenging them, it misses opportunities to address broader progressive standards regarding gender and sexuality. Ultimately, the film is a study of existing social structures rather than a tool for their transformation.

Watch this, not that →

Category Breakdown

Does The Evangelist have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ narratives or characters. It focuses on traditional religious structures that prioritize straight relationships.

How does The Evangelist portray gender?

Fair

The power dynamics in the film reflect established church structures. It highlights traditional gender roles within the Pentecostal movement, reinforcing the current expectations of leadership and ministry.

How racially and ethnically diverse is The Evangelist?

Good

The film excels by centering on a predominantly Black Pentecostal community. It gives a significant role in driving the story to characters of color and avoids the perspective of a white audience.

How does The Evangelist represent religion and culture?

Limited

The documentary is observational, offering a window into the daily lives of a specific religious community. It does not frame the tradition as oppressive.

Does The Evangelist include disability representation?

Minimal

The film does not feature any central narrative drivers related to visible or invisible disabilities.

Present on Screen

Gives a significant role in driving the story to Black leaders and characters of color.
Avoids the white perspective by focusing on internal community dynamics.
Offers ethnographic authenticity regarding the Black revivalist movement.

Limited or Absent