
De acá a la China
2018

1955
Director
Lucas Demare
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
The action occurs in Abasto Market in Buenos Aires, Argentina. A grown up single woman marries a mafia man who promised her he would change. After they've married, his past come to ruin the wife's life.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a heteronormative romantic conflict between a single woman and a man. There is no evidence of non-cisnormative identities or narratives that critique traditional social mores.
Gender Representation
The plot centers on a woman's domestic struggle against a dominant male figure. While the protagonist shows agency, the narrative relies on the trope of a woman being ruined by a man's past.
Racial & Ethnic Diversity
Set in Buenos Aires, the film engages with the city's multicultural fabric. However, there is no evidence of intersectional casting or the use of non-white protagonists to disrupt historical norms.
Religious & Cultural Diversity
The story explores individual morality and criminality rather than systemic critique. The focus on organized crime serves as a cautionary tale within traditional moral frameworks rather than a deconstruction of power.
Disability Representation
The narrative does not mention characters possessing visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
Mercado de abasto is a mid-century drama that adheres to the conventional narrative structures of 1950s Argentina. The story prioritizes individual domestic consequences and traditional moralistic storytelling over the subversion of social hierarchies. The film operates within established social norms, focusing on a heteronormative marriage and the fallout of criminal activity. It lacks representation of LGBTQ+ identities or a significant disruption of patriarchal or systemic power structures. While the setting provides a baseline for regional multiculturalism, the character dynamics remain rooted in traditional gendered tropes and individualistic moral conflicts.

2018

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