The film lacks explicit evidence of non-cisnormative identities. The narrative focuses on ritualistic horror elements rather than exploring or critiquing heteronormativity.

The story centers on a small research crew, but there is no indication of subverted gender hierarchies. The film does not appear to deconstruct masculine leadership or traditional femininity.

While the plot involves an ancient mummy, the subject serves as a horror device rather than a tool for post-colonial exploration. The crew composition lacks detail regarding characters of color.

The film engages with non-Western spiritualism through the lens of a supernatural trope. It functions as a cautionary tale about scientific overreach rather than a deep cultural critique.

There is no evidence that neurodivergence, physical disabilities, or mental health conditions serve as central drivers for the characters or the plot.