You are here:

Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985

Name: Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985
Released: 2011

Representation Score

2.5/10

Limited

2011

Average Rating

No ratings yet

New Showbiz Analysis

This concert film captures a moment of musical diversity through its ensemble composition. The primary strength lies in the multi-racial makeup of the band, showcasing professional integration in an international setting. However, the film’s non-narrative nature limits its ability to address social hierarchies. The lack of gender diversity and the absence of LGBTQ+ representation or scripted character's ability to drive the story keep the overall score moderate. Ultimately, the work serves as a testament to racial integration in jazz rather than a deliberate critique of social or gender norms.

Watch this, not that →

Category Breakdown

Does Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985 have LGBTQ+ representation?

Minimal

The concert recording does not include any LGBTQ+ narratives or depictions of same-sex relationships. It focuses solely on the music.

How does Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985 portray gender?

Limited

The ensemble is mostly male, reflecting the jazz-fusion scene of the mid-1980s. There are no women in prominent roles that drive the story.

How racially and ethnically diverse is Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985?

Good

The performance features a diverse group of musicians working together in a prestigious setting. This ensemble highlights racial integration in a professional environment.

How does Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985 represent religion and culture?

Fair

The work is set within a secular framework focused on jazz. Although jazz has roots in reclaiming Black culture, the film does not critique Western institutions explicitly.

Does Miles Davis - The Definitive Miles Davis At Montreux - Evening July 14 TH 1985 include disability representation?

Minimal

There is no indication of performers using disability-related abilities. Disability is not used as a narrative element in this musical recording.

Present on Screen

The multi-racial ensemble demonstrates natural integration and shared musical involvement.
The performance highlights racial diversity within a high-art, professional context.

Limited or Absent