
The Ribald Tales of Robin Hood
1969

Representation Score
Limited
1976
Director
Tonino Ricci
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tonino Ricci’s film combines Western folklore with Eastern martial arts. While it falls short in gender and LGBTQ+ representation, it innovates by blending cultures through its characters. The film excels in disrupting traditional medieval adventure clichés but remains tied to 1970s social structures and male-centric archetypes. Ultimately, it serves more as a commercial genre experiment than a sociopolitical critique.
Category Breakdown
The film follows typical 1970s adventure-comedy conventions. There are no LGBTQ+ characters or critiques of the assumption that everyone is straight or cisgender.
The story focuses on male protagonists like Robin Hood and Moi Kato, emphasizing their roles and traditional gender hierarchies without challenging them.
Integrating a Kung Fu master into a European folklore setting disrupts the narrative, blending traditions and challenging the uniformity of medieval adventures.
The film uses the outlaw cliché to critique centralized power through a folkloric lens. It does not prioritize anti-Western or systemic postmodern critiques.
There is no evidence of characters with physical or neurodivergent disabilities in the film.
Present on Screen
Limited or Absent
Official Synopsis
Robin Hood fights the evil Sheriff of Nothingham. Friar Tuck brings his friend Moi Kato, a Kung Fu master. Medival movie meets Italo Eastern.

1969

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