The newsreel contains no evidence of LGBTQ+ characters or non-heteronormative narratives. The medium focuses strictly on documenting physical events and public figures, leaving no space for queer identity.

The film lacks intentional subversion of gender hierarchies. Women are not shown demonstrating agency or intellect that disrupts traditional roles, reflecting the era's preoccupation with gendered social structures.

The production likely reinforces the racial hierarchies of 1912. There is no indication of race-bent casting or the inclusion of non-white or non-Anglo-Saxon majority casts.

This newsreel serves as a commercialized dramatization of a Western tragedy. It reinforces traditional Western perspectives on class and national identity rather than offering modern progressive critiques.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. Disability is absent or treated through a lens of tragedy rather than empowerment.