The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative romantic pairings. The narrative focus remains centered on the female protagonists' navigation of a male-dominated landscape.

The story disrupts gender hierarchies by centering on female agency and autonomy. Mouse and Bird explicitly reject transactional sexual demands, refusing to be objectified by the traveling band.

The film appears to lack significant racial or ethnic diversity. It adheres to the homogeneous casting patterns common in 1970s American exploitation cinema.

The narrative aligns with themes of anti-institutionalism and the rejection of traditional social structures. The protagonists pursue a new life outside the bounds of established societal norms.

There is no evidence to suggest that characters with visible or invisible disabilities are central to the narrative or utilized as plot devices.