
The Divide
2015

Representation Score
Fair
2012
Not RatedDirector
Alex Gibney
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Alex Gibney’s documentary serves as a focused sociological study rather than a broad demographic survey. It prioritizes an in-depth look at capitalist structures and institutional power over identity-based representation. The film’s low scores in racial, gender, and LGBTQ+ categories arise from its focus on the historically homogeneous, white, Anglo-Saxon elite of Manhattan. It documents existing social hierarchies without aiming to diversify them. Despite this narrow demographic focus, the film offers substantial progressive value through its critique of systemic inequality. It effectively challenges the sanctity of Western economic hierarchies and the perceived corruption of the American Dream.
Category Breakdown
The film focuses on the ultra-wealthy and does not explore LGBTQ+ narratives or non-cisgender identities.
Women appear in high-profile finance interviews and social gatherings, but the film upholds traditional patriarchal structures without challenging them.
The film centers on a historically homogeneous demographic, specifically the white, Anglo-Saxon elite of Manhattan, lacking ethnic diversity.
It excels in critiquing Western institutions and capitalism, showing philanthropy and religion as tools for social positioning and class insulation.
The film does not significantly address neurodivergence, physical disabilities, or mental health issues.
Present on Screen
Limited or Absent
Official Synopsis
If income inequality were a sport, the residents of 740 Park Avenue in Manhattan would all be medalists. This address boasts the highest number of billionaires in the United States.

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