
EX
2020

Representation Score
Fair
2018
Director
Jakob Lass
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Right Here Right Now operates as a piece of urban realism, finding its strength in atmospheric immersion rather than overt identity politics. By utilizing the chaotic, high-density energy of Hamburg's St. Pauli district, the film avoids monolithic storytelling in favor of a more authentic social environment. While the setting provides a backdrop of multiculturalism and diverse social identities, the film lacks centralized roles for underrepresented groups. The narrative remains focused on a singular male protagonist's struggle against shifting economic and personal landscapes. Ultimately, the film's diversity is incidental to its setting. It succeeds in capturing a realistic, non-sanitized community, but does not prioritize explicit representation of specific identity-driven arcs.
Category Breakdown
The film uses the St. Pauli and Reeperbahn settings, known for diverse identities, to suggest a non-straight-centered social environment. However, it lacks explicit, character-driven roles or confirmed romantic relationships for LGBTQ+ individuals.
The story focuses on Oskar Wrobel, a male protagonist dealing with professional and domestic instability. While it delves into his vulnerabilities, it does not explicitly challenge gender hierarchies or portray masculinity as ineffective.
The use of hundreds of extras in a real-life party setting indicates high demographic realism. The multicultural nature of Hamburg ensures the casting reflects a diverse, international urban population.
The narrative engages with urban decay and the closure of traditional institutions. It leans towards a gritty, subjective morality typical of European realism, avoiding idealized depictions of stability.
There are no specific mentions of characters navigating physical, sensory, or neurodivergent conditions within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.

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