
Here and Now
2018

2018
Director
Jakob Lass
Runtime
89 minutes
Average Rating
No ratings yetSynopsis
Hamburg, St. Pauli, New Year's Eve. Oskar Wrobel runs a music club in an old hospital at the edge of the Reeperbahn. While fireworks go off in the streets of St. Pauli, he prepares the big final party - the club has to close. Thankfully there is no time to think about it because the chaos is breaking into his living room, all while hell break loose at the club. The film, based on the novel by Tino Hanekamp, was filmed with hundreds of extras attending a real-life three-night-long party.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film utilizes the St. Pauli and Reeperbahn setting, historically a hub for diverse identities, to imply a non-heteronormative social environment. However, it lacks explicit, character-driven agency or confirmed romantic depictions.
Gender Representation
The story centers on Oskar Wrobel, a male protagonist facing professional and domestic instability. While it explores character vulnerability, it does not explicitly subvert gender hierarchies or portray masculinity as inept.
Racial & Ethnic Diversity
The use of hundreds of extras in a real-life party setting suggests high demographic realism. The multicultural nature of Hamburg likely ensures the casting reflects a diverse, international urban population.
Religious & Cultural Diversity
The narrative engages with urban decay and the closing of traditional institutions. It leans toward a gritty, subjective morality common in European realism rather than idealized depictions of stability.
Disability Representation
There are no specific mentions of characters navigating physical, sensory, or neurodivergent conditions within the narrative.
Strengths
Areas for Improvement
AI Analysis
Right Here Right Now operates as a piece of urban realism, finding its strength in atmospheric immersion rather than overt identity politics. By utilizing the chaotic, high-density energy of Hamburg's St. Pauli district, the film avoids monolithic storytelling in favor of a more authentic social environment. While the setting provides a backdrop of multiculturalism and diverse social identities, the film lacks centralized agency for marginalized groups. The narrative remains focused on a singular male protagonist's struggle against shifting economic and personal landscapes. Ultimately, the film's diversity is incidental to its setting. It succeeds in capturing a realistic, non-sanitized community, but does not prioritize explicit representation of specific identity-driven arcs.

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