
The Tooth and the Nail
2017

2018
Not RatedDirector
Luciano Onetti, Nicolás Onetti
Runtime
69 minutes
Average Rating
No ratings yetSynopsis
The Great Dante, a prestigious magician, accidentally dies during a risky magic trick. Thirty-five years later, his son Lorenzo, also a magician, presents a show at one of the city's most important theaters. From this point on, a series of murders will begin to occur that someone tries to pin on him. Lorenzo will have to find out who it is and why this person wants to implicate him
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film operates within a traditional heteronormative framework. There is no evidence of non-cisnormative identities or same-sex intimacy.
Gender Representation
The narrative relies on a power imbalance between male and female characters. Female characters appear tied to the protagonist's obsession rather than possessing independent agency.
Racial & Ethnic Diversity
The cast likely reflects regional Uruguayan demographics. There is no evidence of intentional intersectional or diverse casting used to drive the plot.
Religious & Cultural Diversity
The story focuses on individual pathology and madness. It does not offer a deliberate critique of Western institutions, capitalism, or organized religion.
Disability Representation
Mental health elements function as thriller plot drivers rather than nuanced portrayals. There is no evidence of characters with disabilities being afforded agency.
Strengths
Areas for Improvement
AI Analysis
Abrakadabra is a specialized psychological thriller that prioritizes atmospheric dread and individual obsession. The narrative architecture focuses on the limits of the human psyche rather than social or intersectional representation. The film adheres to established genre tropes, centering on singular, traditional character dynamics. It does not actively seek to disrupt social hierarchies or engage with progressive identity politics. Ultimately, the work functions as a localized, character-driven study of psychological decay rather than a vehicle for broader social commentary.

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