
The Mafia, The Salesman
2007

Representation Score
Limited
2005
PGDirector
John E. Moyer
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mobsters and Mormons operates as a standard fish-out-of-water comedy. It derives its humor from the friction between the Italian-American Pasquale family and the rigid social structures of suburban Utah. While it introduces an external cultural element to disrupt a homogenous setting, the narrative remains narrow in scope. The film relies heavily on established archetypes rather than deconstructing them. The conflict is driven by lifestyle differences and religious customs rather than deep systemic critique or multi-layered character development. Ultimately, the work lacks the complexity required for a high diversity score, focusing instead on the situational comedy of cultural displacement.
Category Breakdown
The film focuses on a traditional nuclear family unit consisting of a husband, wife, and son. There are no queer narratives or non-cisgender identities present in the story.
Female characters like Gina are primarily positioned within the domestic sphere. The narrative centers on family relocation, leaving little room to explore if gender hierarchies are challenged or reinforced.
The story relies on a cultural clash between an Italian-American mafia family and a homogenous Mormon community. It prioritizes religious and lifestyle friction over a broad spectrum of racial diversity.
The film critiques Mormon social norms by framing local customs, like scrapbooking and coffee prohibitions, as absurd through the eyes of the outsiders. It functions as a situational comedy regarding lifestyle incompatibility.
The synopsis provides no information regarding characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
When Carmine “The Beans” Pasquale is nabbed by the FBI, he decides to testify against his mafia boss and go into the Witness Relocation Program with his wife Gina and son Vincent. Now known as George, Linda and Patrick Cheeseman, the Pasquale family is sent to suburban Utah to begin their new life. But can the “Cheesemans” survive in a world where everyone is Mormon, all coffee is bad and scrapbooking reigns supreme?

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