
House at the End of the Drive
2014

Representation Score
Minimal
2015
TV-MADirector
Shawn Rasmussen, Michael Rasmussen
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film operates within a conventional horror framework, using well-known clichés like the haunted house to create suspense. The narrative focuses on a young couple in a historic New England setting, prioritizing traditional domesticity over diverse representation. Since the story centers on a typical romantic pairing and a historic property, it lacks the necessary elements to challenge social hierarchies. The film follows a predictable genre trajectory without making efforts to expand representation. Ultimately, the film functions as a standard regional thriller, lacking documented efforts to incorporate diverse identities or provide a critique of systemic norms.
Category Breakdown
The film does not include any non-straight or non-cisgender identities. The focus on a young couple in a traditional horror setting suggests a conventional romantic pairing.
The story revolves around a typical couple dynamic, reinforcing traditional gender roles without challenging established hierarchies or exploring diverse masculine or feminine experiences.
Set in New England, the film leans towards a Eurocentric history with a lack of detailed information about diverse characters, suggesting a reliance on traditional casting practices.
The plot centers on protecting a domestic space within a historic Western setting, lacking any visible critique of systemic issues or engagement with non-Western cultural perspectives.
There is no information about the inclusion of neurodivergent characters or individuals with physical or sensory disabilities in this production.
Present on Screen
Limited or Absent
Official Synopsis
A young couple gets more than they bargained for when they buy an historic bed and breakfast in New England only to discover that the old house is hiding a dark secret within its walls.

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