The plot centers on heterosexual romantic rivalry between three girls and a boy. While the stylistic tradition might allow for nuanced desire, there is no explicit evidence of queer identities.

Female agency is central as protagonists use occultism to manipulate reality. The film subverts the damsel trope by making women the primary architects of the supernatural plot.

As an international co-production involving Argentina, Mexico, and Spain, the film avoids Anglo-centric horror norms. It provides a non-Western perspective on the coming-of-age experience.

The narrative uses folk magic and grandmother-led rituals to prioritize localized spiritualities. Setting the story during the 2001 Argentine economic crisis adds deep systemic and cultural texture.

There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities in the film.