
Flower
2017

2017
RDirector
Matt Spicer
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks a central focus on non-cisnormative identities or explicit same-sex intimacy. Characters are defined by socioeconomic status and digital personas rather than sexual orientation.
Gender Representation
This female-driven drama disrupts traditional hierarchies by eschewing the male gaze. It explores the performative nature of modern femininity through complex, volatile female agents.
Racial & Ethnic Diversity
The Los Angeles setting provides a backdrop of varied ethnic backgrounds. However, the narrative remains localized within a specific, high-status influencer aesthetic.
Religious & Cultural Diversity
The film offers a potent critique of the influencer economy and consumerist perfection. It challenges Western success metrics by framing digital status as a systemic delusion.
Disability Representation
Mental health and neurodivergence are central through Ingrid's obsessive tendencies. The film avoids inspiration porn, presenting her instability as a complex, disruptive reality.
Strengths
Areas for Improvement
AI Analysis
Ingrid Goes West functions as a postmodern critique of identity construction in a digital age. It prioritizes psychological complexity and the deconstruction of social structures over traditional moral archetypes. While the film lacks high scores in traditional demographic diversity, it excels at challenging the perceived stability of the modern social contract. It uses its setting to critique the hollow pursuit of curated, high-status lifestyles. The narrative's strength lies in its ability to examine how digital influence and consumerism shape human behavior and mental health.

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