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Ritual

Ritual

2022

Director

Hans Herbots

Runtime

120 minutes

Average Rating

No ratings yet

Synopsis

The discovery of a chopped-off hand in a Brussels canal forces Belgian police diver Kiki to face deep guilt from the past, her own and her country’s. Based on the book ‘Ritual’ by Mo Hayder.

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Diversity & Representation

Overall Score

3.1/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film lacks any evidence of LGBTQ+ characters or narratives. The story focuses entirely on the protagonist's internal struggles and the immediate criminal investigation.

Gender Representation

Fair

Kiki, a female police diver, provides a central female lead in a traditionally male-dominated field. However, the film does not appear to subvert broader gender hierarchies.

Racial & Ethnic Diversity

Limited

The narrative is localized to Brussels and reflects a relatively homogeneous demographic. There is no evidence of a multi-ethnic ensemble or color-blind casting.

Religious & Cultural Diversity

Fair

The film engages with national identity and historical guilt. It operates within traditional investigative realism rather than deconstructing Western institutions or cultural norms.

Disability Representation

Minimal

While the protagonist faces psychological trauma, there is no explicit evidence of disability being used as a central character arc or a tool for agency.

Strengths

  • Features a female protagonist in a specialized, non-domestic professional role.
  • Explores complex themes of national identity and historical memory.

Areas for Improvement

  • Lacks intersectional representation or diverse character ensembles.
  • Does not actively challenge or subvert traditional social hierarchies.
  • Provides no visible or invisible disability representation.

AI Analysis

Ritual is a character-driven psychological thriller that prioritizes noir-adjacent investigative structures over demographic subversion. The narrative centers on a female professional navigating personal and national trauma, providing a baseline of gendered agency. However, the film remains largely conventional in its social composition. It lacks intersectional representation, focusing instead on a localized Belgian context that appears demographically homogeneous. Ultimately, the work functions as a study of individual and historical culpability rather than a vehicle for systemic social critique or diverse demographic expansion.

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