
The Last Cartridges
1897

Representation Score
Minimal
1898
Director
Alice Guy-Blaché
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1898 short film is a simple work that follows standard military clichés of its time. The narrative lacks the complexity needed for a deeper analysis of overlapping identities, focusing instead on a single, action-oriented ambush. While the on-screen content is largely uniform and lacks diverse representation, the film holds historical significance due to its creator. The absence of visible diversity in the cast or theme results in a low overall score.
Category Breakdown
The film does not include any LGBTQ+ characters or stories that go beyond assuming everyone is straight or cisgender. The plot focuses solely on a military ambush and troop movements.
While the main characters are male soldiers, the film is directed by a woman, Alice Guy-Blaché. Her leadership in a war genre challenges the traditional gender roles of the time.
There is no evidence of non-white or non-Anglo-Saxon actors in the cast. The production likely reflects the homogeneous casting common in late 19th-century European cinema.
The film follows conventional cinematic standards, focusing on a single military event. It does not explore anti-Western, secularist, or anti-capitalist themes.
No characters with visible or invisible disabilities are shown. Disability is not used as a narrative device in this short film.
Present on Screen
Limited or Absent
Official Synopsis
Soldiers ambush a house. This is the Alice Guy version, not to be confused with the less accessible Lumiere of the same title from the same year.

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