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Over the Moon in Love

Name: Over the Moon in Love
Director: Christie Will Wolf
Released: 2019
Duration: 90 min

Representation Score

2.1/10

Limited

2019

TV-G

Director

Christie Will Wolf

Runtime

90 minutes

Average Rating

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New Showbiz Analysis

Over the Moon in Love functions as a traditional TV-movie romance that relies heavily on established genre clichés. The narrative structure follows a standard path of romantic destiny and interpersonal conflict without attempting to challenge social hierarchies. While the protagonist exhibits professional control through her matchmaking business, the film remains anchored in conventional storytelling. It lacks the multi-layered approach needed to provide complex character studies or challenge existing social norms. Ultimately, the film serves as a typical example of the genre, prioritizing sentimentalism and traditional romantic structures over diverse or disruptive perspectives.

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Category Breakdown

Does Over the Moon in Love have LGBTQ+ representation?

Limited

The film centers on a heterosexual relationship between Brooklyn and Devin. There is no representation of LGBTQ+ identities or narratives that question the assumption that everyone is straight or cisgender.

How does Over the Moon in Love portray gender?

Fair

Brooklyn demonstrates significant control over her own life as she runs her matchmaking business. However, the matchmaking storyline upholds traditional romantic expectations and social structures.

How racially and ethnically diverse is Over the Moon in Love?

Minimal

The narrative does not indicate a predominantly non-white cast. Without specific casting information, the story seems to adhere to typical genre demographics.

How does Over the Moon in Love represent religion and culture?

Fair

The story operates within a conventional Western framework focused on individual romantic fulfillment. It aligns with standard sentimentalist values without challenging Western institutions.

Does Over the Moon in Love include disability representation?

Minimal

The plot does not include any characters dealing with physical, neurodivergent, or mental health conditions.

Present on Screen

The film provides a baseline of female control through Brooklyn's role as a business owner.

Limited or Absent

The narrative relies on traditional matchmaking clichés that reinforce conventional social structures.
The story lacks representation of LGBTQ+ identities or non-assuming gender matches what was assigned at birth perspectives.
There is no evidence of diverse racial, ethnic, or disability-related character studies.

Official Synopsis

With her match-making business on the verge of closing, Brooklyn finds herself in the unique position to be featured in a magazine, but has to set up the writer with her childhood friend Devin who she may have feelings for.

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