These Girls
2006

Representation Score
Excellent
2021
Director
Hassen Ferhani
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The documentary highlights an elderly woman's autonomy, challenging traditional social hierarchies and gender roles. By focusing on Malika's independence, the film quietly dismantles conventional views of elderly care. Though the film doesn't explicitly represent specific identity groups like the LGBTQ+ community, it subverts normative social roles to offer a progressive narrative. It shifts focus from broad historical narratives to individual experiences. Overall, the work provides a meaningful exploration of how individuals navigate landscapes and social structures outside traditional family or religious frameworks.
Category Breakdown
The film focuses on an elderly woman living alone in a remote desert. Though it doesn't explicitly include LGBTQ identities, her independent life challenges traditional domestic expectations.
Malika is shown as a strong, self-reliant figure with significant control over her surroundings. She avoids clichés of weak femininity, showcasing her competence through her quiet, efficient demeanor.
Set along the Trans-Saharan road, the film examines North African identity and internal migration. It presents a detailed view of a non-native individual adapting to a new environment.
The story emphasizes a localized North African experience rather than religious traditions. It portrays Malika's unconventional, secular lifestyle as a valid path to personal freedom.
The film does not focus on physical or neurodivergent disabilities. However, it may indirectly address the mental resilience needed for prolonged solitude.
Present on Screen
Limited or Absent
Official Synopsis
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
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