The film lacks any visible LGBTQ+ characters or narratives. It adheres to the traditional genre conventions of 1970s Indonesian cinema, which offered no visibility for non-cisnormative identities.

A trio of students includes one female, Rita, providing a baseline for gender presence. However, the narrative likely relies on standard mid-century gender roles and survivalist tropes.

The story features a collision between students and indigenous tribes. While using local casts, the pursuit of 'savages' suggests a reliance on colonial-era tropes regarding the 'other.'

The premise treats indigenous cultures as objects of curiosity or threats. The narrative reinforces a divide between modern students and the 'primitive' unknown rather than subverting it.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within the film's narrative.