
Scandalous: The Untold Story of the National Enquirer
2019

2010
TV-PGDirector
Dino Reyes
Runtime
65 minutes
Average Rating
No ratings yetSynopsis
This is the documentary of Andrew J. Paris, the first businessman to mass produce bubblegum after World War II. He became an overnight, international success and was dubbed "The Bubble Gum King of America" by Life Magazine in 1947...but his reign was short. Andy's fame took him to Hollywood, where he befriended rising stars like Natalie Wood and Marilyn Monroe. He made appearances on the most popular radio shows of the day, and his face appeared in newspapers all over the world. But Andy's business quickly fell under the scrutiny of the American government, with far reaching consequences for his fame and fortune.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on the business history and celebrity associations of Andrew J. Paris. It contains no evidence of LGBTQ+ characters or non-cisnormative identities.
Gender Representation
While the film mentions female icons like Natalie Wood and Marilyn Monroe, they appear as part of Paris's social orbit. The narrative remains a male-centric business story.
Racial & Ethnic Diversity
The subject matter centers on post-war American business structures. There is no evidence of a non-white majority cast or intentional diverse casting to disrupt historical norms.
Religious & Cultural Diversity
The documentary explores the tension between entrepreneurship and state authority. It follows a standard biographical format rather than deconstructing Western institutions or promoting secularist frameworks.
Disability Representation
The film does not mention any characters or subjects navigating physical, neurodivergent, or mental health conditions.
Strengths
Areas for Improvement
AI Analysis
This documentary serves as a historical retrospective of mid-century American commerce. It follows the traditional biographical arc of a businessman's rise and fall, focusing on the mechanics of capitalism and government scrutiny. The film captures a specific era of American success, yet it adheres to the conventional social hierarchies of the 1940s. The narrative centers on a singular male figure and his commercial achievements. Ultimately, the work functions as a documentation of historical events rather than a tool for social critique. It lacks the intersectional markers necessary to disrupt traditional power structures.

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