
The Summoning
2014

2019
Director
Raymond Wood
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
Four student filmmakers set out to explore an abandoned building famous for its connection with the occult, but as their journey becomes littered with strange behavior and unexplained phenomena, it becomes clear the horror they are attempting to document may already be lurking among them.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or narratives addressing non-cisnormative identities. Character dynamics focus on survival horror tropes rather than queer representation.
Gender Representation
While the ensemble of student filmmakers implies a mix of genders, the story does not appear to subvert traditional gender hierarchies. Representation stays within standard genre expectations.
Racial & Ethnic Diversity
The narrative does not provide evidence of purposeful demographic blending or intersectional depth. It functions as a standard ensemble piece without clear racial subversion.
Religious & Cultural Diversity
Occult and cult themes are used as traditional horror tropes rather than tools for systemic critique. The focus on possession reinforces conventional concepts of good versus evil.
Disability Representation
There is no mention of characters with visible or invisible disabilities. The narrative does not address neurodivergence or chronic illness.
Strengths
Areas for Improvement
AI Analysis
1st Summoning is a low-budget found-footage horror film that prioritizes genre conventions over sociological critique. The narrative architecture is built around suspense and supernatural dread, following the established patterns of the occult subgenre. Because the film adheres closely to traditional horror tropes, it lacks intentional subversion of social hierarchies. The focus remains on local legends and possession rather than progressive demographic shifts or complex identity exploration. Ultimately, the production serves the immediate needs of the horror premise, resulting in a representation profile that stays within standard, conventional boundaries.

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