
Absolutely Tame Is a Horse
2011

2004
Director
Dan Verete
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A man enters the car and drives it to a local car dealer where he hopes to sell it. It seems that he has moved back from Canada and cannot afford the tax on the car. The dealership is manned by two. One appears to be the worker of the pair - keeping the cars clean and running. The other is a cookie cutter version of many auto salesmen to be found everywhere in the world. He is Shmuel, the apparent owner of the lot and has seen the same car in a German dealer's catalog priced at €50,000. He conferences with Siso, the worker of the pair, whose financial support he needs and convinces him to invest in the purchase of the car. In the typical car dealer fashion, Shmuel makes a deal to buy the car from the "ignorant Arab" for €5,000.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film contains no mention of LGBTQ+ characters or non-cisnormative identities. The narrative remains focused entirely on a commercial transaction.
Gender Representation
The story centers on a male-dominated environment involving the driver, Shmuel, and Siso. There is a notable absence of female agency or gender subversion.
Racial & Ethnic Diversity
Ethnic tension is introduced through the dealer's perception of the seller as an 'ignorant Arab.' This highlights power dynamics and the exploitation of perceived otherness.
Religious & Cultural Diversity
The film critiques capitalism by showing how a salesman's success relies on the perceived ignorance of a marginalized individual. It presents a morally ambiguous view of commerce.
Disability Representation
There is no evidence of characters with visible or invisible disabilities. The narrative does not address neurodivergence or physical impairments.
Strengths
Areas for Improvement
AI Analysis
Metallic Blues is a narrow character study focused on the friction of a single economic transaction. It succeeds in highlighting how racialized perceptions and social standing are leveraged during negotiations. However, the film lacks breadth in its representation. The workspace is strictly male-centric, and there is no engagement with LGBTQ+ identities or disability representation. Ultimately, the film's value lies in its depiction of systemic exploitation within a mundane, capitalist framework rather than its inclusivity.

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