
Pearls and Swine
1997

Representation Score
Limited
1992
Director
Óskar Jónasson
Runtime
78 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Remote Control functions primarily as a subcultural character study, gaining merit by portraying anti-authoritarian lifestyles and disrupting traditional social hierarchies through its punk-influenced setting. However, the film lacks diversity, with a homogeneous Icelandic social environment offering little representation regarding race or LGBTQ+ identities. While women's ability to drive the story is present through Maja, the core conflicts remain dominated by male-centric criminal hierarchies.
Category Breakdown
The film focuses on urban subcultures and criminal underworlds without depicting specific LGBTQ+ characters or narratives.
Maja plays a central role, using her punk identity to drive the plot and challenge passive female roles. However, the main power struggles remain centered on male-dominated criminal hierarchies.
The film centers on localized Icelandic urban dynamics, with a homogeneous social environment and no evidence of diverse racial representation.
The story deconstructs traditional social order by focusing on liquor smuggling and mafia ambitions, favoring a non-conformist, skeptical view of authority and established legal structures.
There is no discernible information regarding the portrayal of physical or neurodivergent disabilities within the film.
Present on Screen
Limited or Absent
Official Synopsis
Since his mother wants to watch TV, Axel, a young auto-mechanic, must recover her remote control, accidentally taken by his punk sister Maja. During his quest, he becomes involved in the conflict between Moli, the liquor smuggler, and Aggi, a night club owner who wants to be Iceland's first mafia boss.

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